SMT-V Archives
Volume 5 (2019)
- Joshua Banks Mailman, “Babbitt’s Beguiling Surfaces, Improvised Inside; Part I: Freedoms”
- Joshua Banks Mailman, “Babbitt’s Beguiling Surfaces, Improvised Inside; Part II: Diversities”
- Joshua Banks Mailman, “Babbitt’s Beguiling Surfaces, Improvised Inside; Part III: Opportunities”
Volume 4 (2018)
- Christopher Doll, “Was it Diegetic, or Just a Dream? Music’s Paradoxical Place in the Film Inception”
- Carmel Raz, “Anne Young’s Musical Games (1801): Music Theory, Gender, and Game Design”
- Carmel Raz, “Anne Young’s Introduction to Music (1803): Pedagogical, Speculative, and Ludic Music Theory”
Volume 3 (2017)
- Stephen Rodgers, “Music, Poetry, and Performance in a Song by Maria Schneider”
- J. Daniel Jenkins, “Schoenberg’s ‘Advice for Beginners in Composition with Twelve Tones’”
- L. Poundie Burstein with Quynh Nguyen, “Parenthetic Aside in a 1789 Analysis of Mozart’s K. 284”
Volume 2 (2016)
- Steven Reale, “Variations on a Theme by a Rogue A.I.: Music, Gameplay, and Storytelling in Portal 2”
- Harald Krebs, “The Influence of Clara Schumann’s Lieder on Declamation in Robert Schumann’s Late Songs”
Volume 1 (2015)
- Edward Klorman, “Multiple Agency in Mozart’s Chamber Music”
- Peter Schubert, “Contrapuntal Thinking in Haydn”
- Elizabeth Hellmuth Margulis, “Repetition and Musicality”